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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 377 results for Carlo Antonio Testore
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Violin
Carlo Antonio Testore
1737
"Gould" Violin
Antonio Stradivari
1693
Madonna and Child
Carlo Crivelli
ca. 1480
Madonna and Child Enthroned
Carlo Crivelli
1472
Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri)
ca. 1515
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
Violin
Antonio Gragnani
1783
The Flight into Egypt
Carlo Maratti
ca. 1664
Pietà
Carlo Crivelli
1476
The Glorification of Saint Anthony Abbot
Carlo Innocenzo Carloni
Cup-Hilted Rapier
Carlo Piccinino
ca. 1650–75
Saint Bridget of Sweden Receiving the Rule of Her Order
Agostino d'Antonio di Duccio
1459
Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745
The Companions of Rinaldo
Nicolas Poussin
ca. 1633
Portrait of a Young Man
Antonello da Messina (Antonello di Giovanni d'Antonio)
ca. 1470
Christ Crowned with Thorns
Antonello da Messina (Antonello di Giovanni d'Antonio)
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
Carbine with Flintlock alla Fiorentina
Carlo Bottarelli
ca. 1660–70
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
dated 1796
The Siege of a Fortress
Carlo Antonio Buffagnotti
ca. 1680–1715
Writing Box
Unknown
1650–1700
Madonna and Child Enthroned
Nicola di Maestro Antonio
ca. 1475–90
Saints among clouds, surrounded by putti, from 'Di Tutti gli Affresco del Correggio in Parma'
Carlo Raimondi
ca. 1846
Two putti, with three female figures in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Antonio Dalco
ca. 1846
The Agony in the Garden
Nicolas Poussin
1626–27
Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza'
Carlo Antonio Forti
ca. 1690
Interior of a prison in which sits a woman (possibly a theatre set)
Carlo Antonio Buffagnotti
ca 1680–1710
View with a man in a turban and a lion standing at right, tents and classical architecture in the background
Carlo Antonio Buffagnotti
1680–1710
Stage design with allegorical figures on a staircase; from 'L'Eta Dell'Oro'
Carlo Antonio Forti
ca. 1690
Vertical Oval Vignette of a Mountainous Landscape with Two Shepherds in the Foreground.
Carlo Antonio Buffagnotti
late 17th century
Architectural Perspective for a Stage Set with a Bridge, Statues and a Fountain in the Background and Human Figures in the Foreground
Carlo Antonio Buffagnotti
1660–1710
Vertical Oval Vignette of A Palace Interior with Two Figures Admiring Decoration; a Craggy Mountain Seen Through a Window in The Far Distance.
Carlo Antonio Buffagnotti
late 17th century
Two putti with one holding a staff and Minerva in a lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Carlo Raimondi
ca. 1846
Etruscan Candelabrum Finial (from Cassiano dal Pozzo's 'Paper Museum')
Anonymous, Italian, Roman-Bolognese, 17th century
1620–40
The Return from the Hunt
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
Three putti with one holding a horn, with a female figure holding a torch in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Antonio Dalco
ca. 1846
Assumption of the Virgin, from 'Di Tutti gli Affresco del Correggio in Parma'
Carlo Raimondi
ca. 1846
Two putti with a dog, with a female figure holding a child in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Girolamo Fanti
ca. 1846
Putti with a dog, with three angels in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Paolo Toschi
ca. 1846